Tuesday Terror: Attack Of The Killer Donuts (2016)

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Dubious donut employee Johnny inadvertently infects the day’s delicacies with a chemical created by his mad scientist uncle which animates the sweat treats and transforms them into killers.

The Good: The actual killer donuts are cute and fun. They have teeth. They can be deadly on their own or attack victims in swarm. Their greatest strengths are size and, of course, taking unsuspecting eaters by surprise. If you manage to eat one, he’ll get you too – and turn all of your insides to goo.

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The Bad: Everything else. Attack of The Killer Donuts, a horror comedy that feels old. The freshness date on this type of comedy expired at least a decade ago. Our hero Johnny is  an unmotivated slacker who lives with his mom, has a “girlfriend” that’s uses him as an ATM, and can’t see that girl he works with is the one who is “right” for him. The money that he gives to his girlfriend is whatever he can beg from his mother. Did I mention that he doesn’t do any chores? I think the writers were going for lovable goof but ended up with clueless blandman.

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As a character, the “do nothing / be nothing” guy – without an ounce of charm – is passable as friend of the main character but it makes for a dull lead. For example, the girlfriend is blatantly using Johnny. When she stops by to pick up money, her real boyfriend is with her. Later on, when our “hero” catches the couple in the act of making out, he still doesn’t understand what’s happening. She has to spell it out for him. It’s supposed to be funny; it’s tedious.

Unfortunately, when your hero is flat, the other characters – even the campy ones – can’t save him.  Won’t someone rescue these homicidal treats and put them in a movie worthy of their sweet, glazed anger?

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Tip: Have a pot of coffee on hand.

 

Tuesday Terror: Theater Of Blood (1973)

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Edward Lionheart (Vincent Price) is an actor who has found his niche: the plays of William Shakespeare. While he thrills audiences, he gets no respect from cruel theater critics. Driven to despair, he jumps to his death in front of them. Before long, the critics begin dying off in scenarios inspired by Shakespearian plays. Alas, who will be left to write condescending theater reviews?

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On the surface, it appears that the critics have a point. They question Lionheart’s greatness. Surely, a really talented actor would want to grow and stretch himself. By limiting himself to Shakespeare, Lionheart plays it safe.

However, to trick the critics into falling into his trap, the actor plays a wide variety of characters. Most of the critics get to witness him branching out into new roles…right before they die.

There’s not much mystery here, but Theater of Blood is a fun movie. It’s essentially a showcase for Price. He’s enjoying himself and it shows. Also, if you’re a fan of British cinema, the cast is full of familiar faces.

Is it horror? More of a comedy with some horrifying/scary elements. Shakespeare didn’t have a lot of people peacefully passing in their sleep…

On top of everything else, the film has a campy queerness that I enjoy.

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TIP: Be careful, darlings. A sharp critique can cut both ways.

Tuesday Terror: The Meg (2018)

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Funded by a super rich dude, scientist discover that the ocean floor -at least in some parts – is a false bottom. Think of it as a frozen pond with another layer of deep, dark ocean under it. What they don’t realize is that in this unexplored region is an ancient predator: the megalodon. When the beast escapes into “our” layer, the group races to stop it before it devours everything in its path.

The Meg was pretty good. It doesn’t take itself too seriously, but it doesn’t go the silly, parody route. I didn’t realize that it was an American-Chinese production, so I was surprised that Li Bingbing was the female lead. She and Jason Statham took turns saving each other. Though it was established early on that her character had a crush on him, it didn’t get much further than that.

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Rainn Wilson plays the rich dude – he’s suitably annoying and underhanded but not really a villain. Ruby Rose gives me a “tomb raider” vibe – even though her character doesn’t do much in the way of adventure here. I’m not sure if it’s the hair, the tattoos or both. She may have urgently punched some computer keys, but she didn’t get to do much during the action scenes.

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Most of the other human characters are mostly a wash. For the first few minutes, they are engineers, scientist, researchers, etc – everyone has a few lines to establish their involvement with the project. Once the shark is loose, they become little more than potential fish food. This isn’t a complaint – it’s just the nature of creature features. The beast needs to eat.

The Meg is definitely more adventure-thriller than horror but it’s a fun time.

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TIP: Leave deep sea creatures alone – they are minding their own business!